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Figurative sculpture dominated Jim Munro’s output as a student in the early 1950s at Edinburgh College of Art. After graduating, a number of commissions followed before he settled down to employment in Art Education. He soon established a ceramic workshop with his wife Nancy at Fisherrow, Musselburgh where Jim continued to create a series of striking portrait heads in clay and plaster. Learning to weld metal was a water-shed moment for developing many sculptural construction ideas while collaborations with bronze foundries and engineers enabled the making of some of his most iconic work; plasma cut in thick steel and highly polished.  At that time a team of folk including family members supported and worked with Jim to achieve his sculptural objectives and prodigious output. Much of which was driven directly by a powerful work ethic and his creative themes inspired by his experience as a jazz musician.

  1. Cabaret    54 x 20 x 46 cm, stainless steel and slate, 197

  2. 20th Century Man maquette 15 x 5 x 25 cm, bronze, circa 1980 

  3. Elements of Landscape   46 x 46 x 40cm, bronze and slate, 1981

  4. Pick Up Trio Maquette 31 x 31 x 65cm, bronze, circa 1980 

  5. Mirror Woman     28 x 15 x 37cm, stainless steel and wood, 1979 

  6. James Munro with Pick Up Trio    1.3 x 1.3 x 2.5m, resin bronze, 1981 

  7. Forever Head 35 x 35 x 49cm, chrome steel and slate, 1977

  8. Quartet (detail of work sited at the Scottish Parliament)    50 x 50 x 190cm, stainless steel and slate, 1980

  9. Punk Head 15 x 7 x 17cm, bronze, 1982

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